Just a quick video using up the rest of the cup of colors from the record pour video I released yesterday. That wasn’t a success, but maybe more luck with a flip cup? I’m just using primary colors, red, yellow, blue, some white and adding a little bit of magic with my own sparkle medium.
Recipe for sparkle medium
Step 1 – mix as much glitter into your medium of choice as you like. Use in your pours or add selectively to your paintings with a brush. Done.
Having done a spin on the record, time now to try something different and see if I can get a different look with these exact same paints. The paint is leftover in the same cup as the record, but I did add a little extra white, a little extra yellow and a few more dots of the sparkle medium. I hoped to get a different blend of colors by adding more of the lighter ones this time.
I’m using the flip cup method on a 6-inch glossy tile. It looks great right out of the cup, but I can’t resist torching to add in all those extra tiny details. I think on a small scale canvas, small cells are fitting. On a larger canvas (I’m still plucking up the courage to do one) then the larger cells most likely look best and I might not feel the need to torch it. What do you think?
Sadly once it’s dried, it’s rather disappointing again. The colors dried a lot darker and the bright red and blue looked lost. The details were still there, but it just wasn’t as vibrant. I decided not to keep it, and to keep on trying. So watch this space because there will certainly be another video coming up where I WILL succeed in dirty pouring with primary colors and not getting all that darkness!
As usual, here is a slideshow of lots more pictures while the tile was still wet, and close ups of all the lovely details. Only wish it had stayed so bright when it dried 🙁 Better luck next time. I will be trying these primary colors again!
After being told in high school that she was so bad at art that she should switch to another subject, Deby didn’t paint again for 35 years. Then a stroke released a new wave of creativity and she began exploring with dot painting, abstract and eventually acrylic pouring, and at last the joy of working with color returned.
You don’t need ‘talent’ to be an acrylic pouring artist – just enthusiasm, some basic instruction, and a willingness to try, fail and try again. Paint along with her and learn from her many mistakes, and you’ll soon make great art together.