While there are lots of different factors that make up a great piece of art (color, texture, finish, etc.), for acrylic pouring, no single aesthetic feature is as sought-after as cells. Silicone, as most experienced pour artists will tell you, is the key to creating dynamic cells in your acrylic pour paintings. While technique can certainly make a difference, it mostly comes down to using the right materials. You need to use the right mix of paints, mediums, and additives—specifically silicone—to create a space for cells to form.
In this guide, we’ll explain why we love silicone so much and outline the different types available to you. We’ll tell you which ones we’ve found to work best, and give you some general advice for using silicone in your pours. Let’s get started!
For your convenience, here are store links to items we mentioned in this article.
- Silicone oil: Works well to make cells for most paints and applications
- B’laster:Alternative; to be used in a pinch
- Liquid Wrench: Spray lubricant; to be used in a pinch
- WD40: Spray lubricant; to be used in a pinch
- CRC Heavy Duty: Spray lubricant; to be used in a pinch
- Treadmill Belt Lubricant: Completely clear and doesn’t smell bad
- Coconut Milk: Skin-friendly form of silicone oil
- KY True Feel: Personal lubricant
Why Use Silicone for Acrylic Pouring Cells in the First Place?
There are several different dynamics that need to occur in your paints for cells to form. You need the paints to be flowing smoothly, for one thing. That’s why we always start by mixing paints with a good pouring medium, such as Floetrol or Liquitex.
To learn more about pouring mediums, check out the acrylic pouring medium guide we’ve written all about them. The better your paints are flowing, the better you’ll be able to create all kinds of effects, including cells.
You can certainly get some cells using just a pouring medium (and perhaps a splash of water), but most pouring mediums bind too well to the paints. Since they’re designed to maintain as perfect a consistency as possible, they don’t usually create the layered separations and sliding effects that produce the most striking cells.
However, they definitely help you get there! Pouring mediums also extend drying times, which gives you more opportunity to work with cells once they’ve formed. And Floetrol helps to level the craters of the silicone, so you get the look without having such an uneven texture at the end.
What you really need to get those killer cells is something that doesn’t mix well with your paints. Enter silicone! Any kind of oil won’t mix in with water based paints, so adding an oil or other lubricant to your paint can help the layers separate and slide against each other. That’s a perfect recipe for cells! You will most likely be able to create at least some cells just by adding the oil to your paint without even needing to torch it.
We consider silicone to be the best type of lubricant for acrylic pouring because it’s predictable, neutral, and durable. It’s easy to manipulate, unlike water. It doesn’t affect color or turn rancid like many natural oils. It’s also chemically inert, as long as you get pure silicone. That’s why it’s perfect for archival and commissioned pieces.
Types of Silicone for Acrylic Pouring
As we’ve mentioned, silicone oil is the preferred tool of many painters. It’s light and concentrated, and it works well to make cells for most paints and pouring applications. However, not all silicone lubricants are created equal! You can get it in a number of forms and varieties, including the below:
These are common in hardware stores and home tool sheds. Brands include Blaster, Liquid Wrench, and CRC Heavy Duty, or even the version of WD-40 that contains silicone (but not the regular one in the blue can, which is silicone-free).
These can be inexpensive, and most folks have something along these lines lying around the house to experiment with. You can use all of these straight from the can by spraying them directly into the cups as you mix your paint.
However, we prefer to spray the oil into a separate bottle or a container with a lid and then add it to the paints with a dropper. It’s more accurate and less likely to make a mess. Do your spraying outside to avoid the fumes! Once you have a small dishful, you can mix some into your next pour to try out the effect.
The downside of spray lubricants is that they contain other chemicals and mystery ingredients besides silicone. They also smell really bad, leave many people feeling dizzy, and have a slightly yellow coloring to them, which will definitely be visible in your pieces.
You can use these in a pinch, and many of us start out this way, but it’s preferable to upgrade to a pure liquid silicone oil.
Liquid silicone oils
Liquid silicone oils are what the vast majority of us use to create stunning cells. We recommend treadmill belt lubricant because it’s 100 percent silicone oil with nothing else added. It’s completely clear, doesn’t smell bad like the sprays, and usually comes in a convenient dropper bottle, making it easy to dispense the right amount into your paints.
You can certainly find other products in this category, since silicone oil is used to maintain everything from locks to sewing machines. Just be sure to choose 100 percent silicone.
You don’t want any additives or mystery ingredients to throw off your pours by discoloring or reacting with the paints. One hundred percent silicone will be perfectly clear without any coloration, clouding, or inconsistency.
Dimethicone is a skin-friendly form of silicone oil commonly found in hair care products and also sometimes in personal lubricants. It usually doesn’t have any smell.
You can buy a hair product rich in dimethicone to use, or better yet, buy the pure product to use in your paints. As with silicone, you want to steer clear of any mystery ingredients or compounds that might throw off your paint colors.
We’ve had good results with the Coconut Milk Hair Serum, and we have a video here showing it being used. You might also want to consider the KY True Feel personal lubricant. There’s a video reviewing and testing this one here.
While we’d consider dimethicone products to be on par with silicone for creating cells, some folks swear that they give them larger cells. As always, be prepared to experiment with different options and see which works best with your paint recipe.
It’s also worth considering that dimethicone tends to be pricier than silicone. Silicone is sold cheaply and in bulk, because it’s generally used for maintenance tasks. If being able to work without gloves is important to you, dimethicone is probably worth the extra cost. If not, stick with silicone.
You can find personal lubricants in the pharmacy or in the supermarket near the women’s hygiene products. The best way to go, though, is to buy them online to save your blushes at the store!
Look for silicone-based lube, or products where dimethicone is used instead. Just make sure that silicone or dimethicone is the first or only ingredient.
Can’t I Just Use Water?
Most pouraholics will tell you that you really need to use an additive to create the best cells. While there are some painters who claim to be able to create nice big cells using just paint and water, many of these folks water down their paints very thinly to get their results.
Using a lot of water can make the materials hard to control, so that the finished pieces are as much a result of chance as technique. They’re also prone to cracking or crazing when the watered-down paint dries.
For reasons we explain in our guide to pouring mediums, these watery mixes are much more likely to flake and come away from your painting in the long term. Stick to using a pouring medium and a silicone additive for the best results!
The surest way to create beautiful cells, depth, and movement in your painting is to use additives.
On a side note, to complement your Acrylic Pours, I highly recommend using a Cricut Machine (my personal favourite is the Explore Air 2 machine) to design and print yourself beautiful crafts on all sort of supports. Check it out here! Now back to other Oils we can find…
What About Other Oils?
You might already have things around the house that seem like they could work for creating cells. We’ve done lots of experimenting ourselves and can confidently tell you that while many things look tempting, they won’t work very well. Here’s what we’ve found:
A lot of new artists think they can use common cooking oils. That’s fairly logical: You’ve heard that a certain type of oil is used to make cells, so why not grab the olive oil or coconut oil from your kitchen? Not so fast. These oils are much too heavy to create cells on the surface of your pieces. They’ll also go rancid over time because they contain organic ingredients.
But what about other oils like baby oil? Some painters have used it and reported that it did create small cells for them—but they also said it was very greasy and made the paint too runny to work with.
If you have oils from the beauty aisle like this at home that you want to try, give it a go. Often, no one answer is right for everyone. Give these sort of products a quick test and see if you get the results you’re looking for. You just might be lucky. Still, most folks will prefer to stick with silicone or dimethicone.
Isn’t Alcohol Good for Cells?
Some painters on Youtube and in the blogging community report getting great results with alcohol in place of silicone. We’re not convinced. Here’s what Acrylic Pouring founder Deby Coles has to say about using alcohol:
“I gave this a good try and found it only worked for me in a very limited range of colors from one brand. Strange, but those colors made cells really well and other brands really didn’t seem to react much to the alcohol. So this is another area where I say don’t be afraid to try it for yourself—you never know, your paints might love it!”
You can see Deby’s YouTube playlist for experiments with alcohol to learn more about her results.
You can also check out Deby’s comparative experiments with different additives, in which she tries lots of different approaches to creating cells:
So, How Much Silicone do You Need to Add for Cells?
We wish there were a simple answer to this question! There are as many answers as there are painters out there. You simply have to experiment with your brand of paints and additives and see what works best. A good recipe to start with is:
You might like to add the lubricant to all of your colors or only some. Experiment with side by side tests and see how it affects your pour.
- Air bubbles are heated, come to the surface, and pop, so when your painting drys, you won’t end up with holes and defects in the paint (fingers crossed!).
- The oil is heated, causing it and the surrounding paint to flow even more. The silicone oil rises to the surface, bringing colors with it and creating movement in the paint, which creates cells. Typically torching leads to lots of small cells, rather than fewer, larger cells.
If you’re going for fewer, larger cells, you may not want to torch. You’ll also find that using a good amount of Floetrol in your mix helps level the materials, so that torching isn’t as important. Still, you should definitely have a torch in your toolbox!
Remember, the products above are the ones we use and recommend, but there are no rules with acrylic pouring. If you have a light oil product at home that you think might work, give it a try. And don’t forget to let us know how it goes! Better still, share a video of your process and results with our Facebook group.
If you’ve tried some of the products listed above and have a preference about any of them, we would love your feedback! Did you find dimethicone gave you bigger cells? Do you prefer using a particular spray over pure liquid oil? Which has worked best to give you some interesting cells in your pours, and how exactly do you use them for the best results? Please leave us your comments and advice for other pourers below.
You can also let us know if you think we’ve missed something above. If there’s a question we haven’t answered or a topic you wish we’d covered, leave us a comment below!
How do I use silicone oil in acrylic pour?
To use silicone oil in an acrylic pour, first mix the silicone oil into your acrylic paint according to the desired ratio. A common ratio for silicone oil and acrylic paint is 1 part silicone oil to 10 parts acrylic paint. Once the silicone oil is mixed into the paint, you can proceed with your acrylic pour as usual.
How much silicone oil should I add to acrylic paint?
The amount of silicone oil you should add to your acrylic paint will depend on the effect you want to achieve and the consistency of your paint. As a general rule, a ratio of 1 part silicone oil to 10 parts acrylic paint is a good starting point. You can adjust this ratio as needed to achieve the desired consistency and effect in your acrylic pour.
Why use silicone oil in acrylic pour?
Silicone oil is commonly used in acrylic pour paintings because it helps to create cells, or small bubbles, in the paint. These cells can add visual interest and texture to your acrylic pour paintings, and can create unique patterns and effects. Silicone oil is also useful for helping the paint to flow more easily and evenly, which can make the pouring process smoother and more predictable.
What can I use instead of silicone oil for acrylic pouring?
If you don’t have silicone oil or prefer not to use it in your acrylic pouring, there are several other additives you can use to create cells in your paint. One option is to use a silicone-based dish soap, which can help to create bubbles and cells in the paint. You can also try using a hair mousse or a mixture of water and glycerin, which can help to create cells without the use of silicone oil.
How many drops of silicone oil should I use in an acrylic pour?
The number of drops of silicone oil you should use in an acrylic pour will depend on the amount of paint you are using and the desired ratio of silicone oil to paint. As a general rule, you can start with 10-15 drops of silicone oil for every cup of acrylic paint. You can adjust the number of drops as needed to achieve the desired consistency and effect in your acrylic pour.
After being told in high school that she was so bad at art that she should switch to another subject, Deby didn’t paint again for 35 years. Then a stroke released a new wave of creativity and she began exploring with dot painting, abstract and eventually acrylic pouring, and at last the joy of working with color returned. You don’t need ‘talent’ to be an acrylic pouring artist – just enthusiasm, some basic instruction, and a willingness to try, fail and try again. Paint along with her and learn from her many mistakes, and you’ll soon make great art together.