We’ve all been there…looking at a painting you poured last night and now that it’s dried you’re thinking, Yikes! I’ve seen so many beautiful saves by amazing artists on AcrylicPouring.com, most of the time it’s extremely intimidating to me.
I’ll occasionally use the silhouette strategy, but even with that, I can screw up what should be clean lines, which may ruin my painting. It just takes practice, and I’m still working on it since I have a hard time keeping my hands from shaking when I do detailed work. Not sure if practice will ever completely get me through that process, but I definitely keep pushing forward.
You see I can’t draw, much less paint in such creative detail to save my flawed or boring dried paintings—so I had to come up with other ideas. So, what can you do to save a pour if you’re not the most accomplished artist? Below are some strategies I use.
Add Negative Space
If there’s a problem area on the side or end of a dried painting, you may be able to fix it with negative space. If you’re lucky, you can do one with a hard edge. Simply put, this means you can put a piece of painters tape on a dried painting to create a hard line for your negative space. You can also do a poured negative space onto a dried painting, but I’d practice first to see what types of lines you get.
Master the Art of the Re-Pour
Yes, I re-pour sometimes, but when I first started, a re-pour on just part of a dried painting was tragic. It never looked right. There was always a hard line even if I tried to blow it out or manipulate it in any way.
Here you can see a picture of collected dried paints under my painting space, just run off from actual projects. I’m adding it here because it demonstrates the hard line a second pour can make.
I struggled to find a way to create the gentle blending of paints and curves that we love in an original pour. By accident, I figured out a way to create a more natural look when adding a new partial pour or negative space to a dried painting:
I start with a layer of Liquitex Varnish, and while still wet I add colors one by one or simply pour my mixed cup of paints. Try it; I promise it works! Here are three (close-up) views of dried paintings I used this technique on.
The above is with no manipulation at all, just a pour. The second (below) has some minor manipulation. And for the last (also below), I used the straw to blow out some fraying over the turquoise. You can use any varnish, I just prefer Liquitex.
Use It as a Practice Canvas
So what about the worst of the worst, those downright ugly paintings you positively can’t save no matter what you do to them? Don’t toss them yet! You can use the front for experimenting with swipes, string pulls, tree rings, etc. Go crazy! You can even use the back of an old painting to practice on; hey, it’s still a canvas.
Frame It, Baby!
Now, I occasionally have a painting with an area on the side that I can’t touch up without a re-pour, or one where I’m not quite sure if I want to keep, repaint, or toss it. There is one technique I’ve found that has kept me from tossing many works and given me countless ideas for additional uses.
My solution? Frame it baby! My Black Into Blue painting has way too many flaws on the sides, so I decided to try out a frame. Same with the gold floral painting—a frame makes all the difference. Try out any frames you have around the house. Even if they’re not the right size, you can lay them over the painting to see what it might look like.
What if you’ve tried some frames you have lying around, yet nothing looks right? Or what if you still can’t make up your mind whether to keep or toss your painting? Maybe it’s not the painting; maybe it’s the frames. Here are four sample frames for the above paintings to give you an idea what I’m talking about.
Also…There’s an App for That!
Here’s one final tip that can save your painting, your time, and potentially your money. I’m a pushover to sales staff since I don’t like to say no, so I can’t go into a professional frame store to “just try out ideas.” I’ll end up purchasing something I may not want or even like.
Instead I use an application I downloaded for free from Google Play on my Samsung Tablet called HD Photo Frame. You can upload photos of your own paintings and try out a variety of frames. The only problem with this app is you can only use it for rectangular paintings; other forms like round, oval, and square won’t fit into the frames the same way.
This app saves me time from having to run around trying to find the perfect frame, or purchasing something I may not be able to use.
Try it out and see. You’ll look at your paintings differently.
Since she began creating art in 2007, Tina Swearingen’s focus has evolved from repurposed conceptual art into the creativity and flow of acrylic pouring. Her pours are inspired by the movement and colors of Southern Arizona’s amazing thunderstorms, and the majestic beauty of the Pacific Northwest, which she now calls home.